hammer horror films actors

This list of the The Horror of Hammer actors’ names (actors in the movie The Horror of Hammer) contains photos of the cast members when available. Christopher Lee returned as Dracula for the following six films, which employed ingenuity in finding new ways to resurrect the Count. [17] It was Lippert's insistence on an American star in the Hammer films he was to distribute that led to the prevalence of American leads in many of the company's productions during the 1950s. In 2003, for example, the studio announced plans to work with Australian company Pictures in Paradise to develop new horror films for the DVD and cinema market. "[23], Regardless of the BBFC's stern warnings, Hinds supervised the shooting of an unchanged script.[24]. Lee speaks at least one line taken from Bram Stoker in every Dracula film he appeared in, except for Dracula: Prince of Darkness in which the Count does not talk at all (Lee claimed repeatedly he was appalled by his dialogue in that film and refused to speak it, but Jimmy Sangster rebutted that no dialogue was written for the character). [13], On 12 February 1949, Exclusive registered "Hammer Film Productions" as a company with Enrique and James Carreras, and William and Tony Hinds as directors. With the agreement in place, Hammer's executives had their pick of Universal International's horror icons and chose to remake The Invisible Man, The Phantom of the Opera, and The Mummy's Hand. Barbara Shelley — the Hammer icon known as "the first leading lady of British horror" — has died. 4. The film was unexpectedly popular, and led to the popular 1957 sequel Quatermass 2 – again adapted from one of Kneale's television scripts, this time by Kneale and with a budget double that of the original: £92,000. This series was Hammer's final production of the 20th century, and the studio went into semi-permanent hiatus. The film was an enormous success, not only in Great Britain, but also in the U.S., where it inspired numerous imitations from, amongst others, Roger Corman and American International Pictures (with their series largely based on Edgar Allan Poe – the so-called "Poe Cycle"). They featured a cast as diverse as Peter Cushing, Brian Cox, David Carradine, Stephanie Beacham, Diana Dors and even Pierce Brosnan. Hammer's first significant experiment with horror came in a 1955 adaptation of Nigel Kneale's BBC Television science fiction serial The Quatermass Experiment, directed by Val Guest. The Satanic Rites of Dracula, then called Dracula is Dead... and Well and Living in London, indulged the turn toward self-parody suggested by the title, with some humour appearing in the script, undercutting any sense of horror. [29] However, recent research suggests that the issue of who exactly funded Dracula is still not entirely clear (see Barnett, ‘Hammering out a Deal: The Contractual and Commercial Contexts of The Curse of Frankenstein (1957) and Dracula (1958)’, Historical Journal of Film, Radio and Television, published online 19 November 2013). Van Helsing to battle vampire Baron Meinster (David Peel) and the film makes several direct references to the 1958 original. Top 10 Hammer Horror FilmsSubscribe: http://bit.ly/2tVCcUHThey really don’t make them like this anymore. Shelley was best known for appearing in Hammer horror movies. [12] All were filmed at Marylebone Studios during 1947. serial. Shelley as she appeared in 1964 TV series Rupert of Hentzau. The Invisible Man was never produced. Eliot Hyman however, sent the script to his contact at Hammer. As production began on Quatermass 2, Hammer started to look for another U.S. partner willing to invest in and handle the American promotion of new product. Often two films would be shot back-to-back with the same sets and costumes to save money, and then each film would be shown on a separate double feature to prevent audiences noticing any recycling, as for example in The Plague of the Zombies and The Reptile (both 1966). Notable examples were: Hammer made a number of swashbucklers, including: Hammer had some success with films set in the British Empire, such as: On 29 May 1968, Hammer was awarded the Queen's Award to Industry in recognition of their contribution to the British economy. The initial success of the Hammer Horror series led to tributes and parodies: "Hammer Horror" redirects here. Sangster submitted his script to the BBFC for examination. A good chunk of those movies were Hammer Horror. and Hammer had broken down when money promised by a.a.p. This wiki covers all the Hammer Horror films as well as the characters in their films, the actors and the writers, producers and hammer studios history in general. In November 1934 William Hinds, a comedian and businessman, registered his film company, Hammer Productions Ltd.[5][6] It was housed in a three-room office suite at Imperial House, Regent Street, London. Rosenberg would often claim he 'produced' The Curse of Frankenstein, an exaggeration repeated in his obituary. Concerned that Subotsky and Rosenberg's script had too many similarities to the Universal films, Hinds commissioned Jimmy Sangster to rewrite it as The Curse of Frankenstein. The running time varied from 69 to 73 minutes. On 20 August 1958, the Daily Cinema reported: "Because of the fantastic business done world-wide by Hammer's Technicolor version of Dracula, Universal-International, its distributors, have made over to Jimmy Carreras' organisation, the remake rights to their entire library of classic films.". She was uncredited in the film and did return for the 1972 sequel Dr. Phibes Rises Again. Meanwhile, George A. Romero's Night of the Living Dead (1968) had set a new standard for graphic violence in horror films. Prison Story). I think it is fatuous. In this film, it was bright red, and the camera lingered on it. These low-budget suspense thrillers, often in black-and-white, were made in the mould of Les Diaboliques (1955), although more often compared to the later Psycho. I don't see the point."[41]. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. And shocking. The next two were not period pieces like their predecessors, but had a contemporary 1970s London setting. [9] Hammer produced four films distributed by Exclusive: A slump in the British film industry forced Hammer into bankruptcy and the company went into liquidation in 1937. Hammer horror films are legendary for doing a lot with a little, while almost magically repurposing constraint to fuel creativity. The success of The Quatermass Xperiment (1955; The Creeping Unknown in the U.S.) led to two sequels: There were also two Quatermass-style films: Six sequels to The Curse of Frankenstein were released between 1958 and 1974: All starred Peter Cushing as Baron Frankenstein, except The Horror of Frankenstein (which was not a sequel, but a tongue-in-cheek remake of The Curse of Frankenstein), in which Ralph Bates took the title role. They absolutely ooze with beautiful, vivid artistry, akin to Guillermo Del Toro. In 1969 Tony Hinds resigned from the Hammer board and retired from the industry. The Mummy went into general release on 23 October 1959 and broke the box-office records set by Dracula the previous year, both in Great Britain and the U.S. when it was released there in December.[35]. The number of set-ups scripted is quite out of proportion to the length of the screenplay, and we suggest that your rewrites are done in master scene form. Hammer Film Productions Ltd. is a British film production company based in London. Barbara was born in London and began her career as an actor in the mid-1950s after moving to Italy. [2] Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series. Hammer Horror film series (1958–1974) The original series of films consisted of nine … The house was renamed Bray Studios after the nearby village of Bray and it remained as Hammer's principal base until 1966. Although interested in the script, a.a.p. The Curse of Frankenstein. She has been featured in more than 100 films and TV series. The first spin-off made was Hammer's biggest domestic earner of the 1970s and was popular enough to produce two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973), seeing Hammer return to their pre-horror practice of adapting television properties for the cinema as they had once done with PC 49 and Dick Barton. It was given a limited UK/Ireland theatrical release in March 2011. Simon Oakes, who took over as CEO of the new Hammer, said, "Hammer is a great British brand — we intend to take it back into production and develop its global potential. Until The Curse of Frankenstein, horror films had not shown blood in a graphic way, or when they did, it was concealed by monochrome photography. The Horror of Hammer cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of The Horror of Hammer. and head, Eliot Hyman. [43] It is scheduled to be released on 15 November 2019, by NEON. British TV star Peter Cushing portrayed Baron Victor Frankenstein, and supporting actor Christopher Lee was cast as the imposingly tall, brutish Creature. Jane Goldman wrote the film's screenplay, with James Watkins in the director's chair. Caroline Munro, the British actress who was both a Hammer Horror mainstay and a Bond Girl, was a top onscreen seductress of the '70s. The talent agency, Dr Morelle - The Case of the Missing Heiress, Learn how and when to remove this template message, The Phantom Raspberry Blower of Old London Town, Wallace & Gromit: The Curse of the Were-Rabbit, BFI Most Wanted: The Public Life of Henry the Ninth, "Why Christopher Lee's Dracula didn't suck", "We Chat with Hammer Chief Simon Oakes about Christopher Lee's Return to Horror and the 'Let the Right One In' Remake! Barbara Shelley, best known for her roles in Hammer horror films and Doctor Who, passed away at the age of 88 after contracting coronavirus (COVID-19). For the song by Kate Bush, see, For a complete list of films by Hammer Film Productions, see. Hammer Films had commercial success with some atypical output during this period, with film versions of several British TV situation comedies, most notably the ITV series On the Buses (1971). Hammer moved into the Exclusive offices in 113-117 Wardour Street, and the building was rechristened "Hammer House".[14]. Not only did the script contain horror and graphic violence, but it would be portrayed in vivid colour.[22]. [30] Peter Cushing again had top-billing, this time as Doctor Van Helsing, whilst Christopher Lee starred as Count Dracula, with direction by Terence Fisher and a set design by Bernard Robinson that was radically different from the Universal adaptation; it was so radical, in fact, that Hammer executives considered paying him off and finding another designer.[31]. The Brides of Dracula did not include Dracula but is still considered part of the series since Peter Cushing reprises his role as Dr. J. Audrey Field commented on 8 October 1957: "The uncouth, uneducated, disgusting and vulgar style of Mr Jimmy Sangster cannot quite obscure the remnants of a good horror story, though they do give one the gravest misgivings about treatment. The new organization acquired the Hammer group's film library, consisting of 295 pictures. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. Madeline Smith. [47] In February 2012, the Hammer and Alliance Films adaptation of The Woman in Black was released. See Kinsey (2005) p.86, Universal itself was having financial difficulties at the time. THE ACTORS OF HAMMER FILMS. In September 2019, Hammer signed a worldwide distribution deal with StudioCanal for its catalogue. [51] Critics who specialise in cult films, like Kim Newman, have praised Hammer Horror more fully, enjoying their atmosphere, craftsmanship and occasional camp appeal. Although the novel by Mary Shelley was long since in the public domain, Anthony Hinds was unsure about the story, as Subotsky's script adhered closely to the plot of the 1939 Universal film Son of Frankenstein, featuring a second-generation Baron Frankenstein emulating his father, the original monster-maker. • Michael Carreras, a.k.a. Sangster's treatment impressed Hammer enough to rescue the film from the 'quickie' treadmill and to produce it as a colour film. 17 episodes of approximately 50 minutes each were produced by Hammer Film Productions and 20th Century Fox Television. The company eventually ceased production in the mid-1980s. All were to be filmed in colour at Bray Studios, by the same team responsible for The Curse of Frankenstein and Dracula. (15 Items), Flesh and Blood: The Hammer Heritage of Horror. The film was directed by Terence Fisher, with a look that belied its modest budget. All the other things I did, nobody remembers those. The presentation ceremony took place on the steps of the Castle Dracula set at Pinewood Studios, during the filming of Dracula Has Risen from the Grave.[39]. Establishing the fanged vampire in popular culture, Lee also introduced a dark, brooding sexuality to the character. A second television anthology series, Hammer House of Mystery and Suspense, was produced in 1984 and ran for 13 episodes. In addition a great deal of polishing and additional material was needed, as the short script had an estimated running time of just 55 minutes, far less than the minimum of 90 minutes needed for distribution in the U.K. Also in 1951, Hammer and Exclusive signed a four-year production and distribution contract with Robert Lippert, an American film producer. They eventually entered talks with Associated Artists Productions (a.a.p.) [8] During this time Hinds met Spanish émigré Enrique Carreras, a former cinema owner, and on 10 May 1935 they formed the film distribution company Exclusive Films, operating from an office at 60-66 National House, Wardour Street. This wiki is about Hammer horror films. You can use the actors in this list to create a new list, re-rank it to fit your views, then share it on Facebook, Twitter or any other social networks you belong to. The actress died from underlying conditions on … Christopher Lee grew increasingly disillusioned with the direction the character was being taken and with the poor quality of later scripts, although he did improve these slightly himself by adding lines of dialogue from the original novel. 's Eliot Hyman, through another of his companies, Seven Arts (which later merged with Warner Bros., now the successor-in-interest to a.a.p.). In May 2007, the company name was sold to a consortium headed by Dutch media tycoon John de Mol, who announced plans to spend some $50 million (£25m) on new horror films. Daniel Radcliffe stars as lawyer Arthur Kipps. In A History of Horror, Mark Gatiss remarked that Hammer's earlier films were taken seriously at the time, in comparison to the trademark camp appeal of their later works. With a handful of tools – iconic actors, small budgets, simple sets, beautiful heroines, and charismatic heroes – Hammer consistently nailed it, delivering one memorable horror film … Dracula was an enormous success, breaking box-office records in the U.K., the U.S. (where it was released as Horror of Dracula), Canada, and across the world. They must take it away and prune. This castmember list includes all major roles and many bit parts for actors in this movie. He resurrected Hammer as the film production arm of Exclusive with a view to supplying 'quota-quickies', cheaply made domestic films designed to fill gaps in cinema schedules and support more expensive features. They play out a 1950s reverie of contagion, lust and post-Suez anxiety. The Evil of Frankenstein stars Cushing but due to an agreement made with Universal to more closely pastiche their version of the Frankenstein story, it re-tells the Baron's history in flashbacks that bear no resemblance to the two earlier Hammer Frankenstein films, and portrays the Baron with a very different personality, resulting in a film which permanently breaks the chronological continuation of the series. The contract meant that Lippert Pictures and Exclusive effectively exchanged products for distribution on their respective sides of the Atlantic – beginning in 1951 with The Last Page and ending with 1955's Women Without Men (a.k.a. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, … In the 2000s, although the company seemed to be in hibernation, frequent announcements had been made of new projects. "Altogether this is a horrific film and sometimes a crude film, but by no means an unimpressive piece of melodramatic storytelling" wrote one critic of Dracula in The Times in 1958. His most recognizable role for the studio was as Count Dracula, but he also portrayed Frankenstein’s monster and the Mummy. Many of these involved classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Shown on ITV, it ran for 13 episodes with a running length of approximately 51 minutes each. In my early teens I went with groups of friends to see certain films. Questions of guilt circulate in these films, where the virtuous can be transformed into vampires through one moment of sexual weakness...[52], This was a fantasy, science fiction and supernatural anthology series which dealt with normal people in everyday situations that found themselves having to experience something out of the ordinary. Hammer made its first color horror film in 1957, and the color was blood red. Founded in 1934, the company is best known for a series of Gothic horror films made from the mid-1950s until the 1970s. Once again it starred both Peter Cushing (as John Banning) and Christopher Lee (as Kharis the Mummy), and was directed by Terence Fisher from a screenplay from Jimmy Sangster. For Halloween consideration, here’s the best films Hammer offered up. The scores for many Hammer horror films, including The Curse of Frankenstein and Dracula, were composed by James Bernard. While the studio remained true to previous period settings in their 1971 release Vampire Circus, Dracula AD 1972 and The Satanic Rites of Dracula (1973), for example, abandoned period settings in pursuit of a modern-day setting and a "swinging London" feel. Hammer produced three other mummy films between 1964 and 1971: These mummy movies had stories and characters unrelated to the 1959 film and all three were relegated to second feature status, as by the mid-1960s, Hammer's films were often intended for double features. [36], Hammer also produced a half-hour pilot titled Tales of Frankenstein (1958) that was intended to premiere on American television; it was never picked up, but is now available on DVD. deal, The Camp on Blood Island and The Snorkel. In June 2010, it was announced that Hammer acquired Wake, a script by Chris Borrelli for an action feature to be directed by Danish filmmaker Kasper Barfoed. Not able to afford top stars, Hammer acquired the film rights to BBC radio series such as The Adventures of PC 49 and Dick Barton: Special Agent (an adaptation of the successful Dick Barton radio show). During the late 1960s and 1970s, the saturation of the horror film market by competitors and the loss of American funding forced changes to the previously lucrative Hammer formula, with varying degrees of success. Peter Cushing (1913 - 1994) Hammer Credits: The Curse Of Frankenstein, The Abominable Snowman Of The Himalayas, Horror Of Dracula, The Revenge Of frankenstein, The Hound Of The Baskervilles, The Mummy, The Brides Of Dracula, Cash On Demand, The Evil Of Frankenstein, The Gorgon, She, Dracula-Prince Of Darkness (in flashback sequence from Horror … [19] At the time, Hammer voluntarily submitted scripts to the British Board of Film Censors (BBFC) for comment before production. The Mummy (the title used for the remake of The Mummy's Hand, which also incorporated significant story elements from that film's first two sequels, The Mummy's Tomb and The Mummy's Ghost) was made in 1959, The Phantom of the Opera followed in 1962, and Hammer collaborated with William Castle on a remake of The Old Dark House in 1963. The Horror of Hammer cast list. Regarding the script of X the Unknown, one reader/examiner (Audrey Field) commented on 24 November: "Well, no one can say the customers won't have had their money's worth by now. All the stories were set in contemporary England. Tributes have been paid to the Hammer Horror film star and Doctor Who actress Barbara Shelley, who has died aged 88 after contracting Covid-19. This success was, in part, due to its distribution partnerships with American companies United Artists, Warner Bros., Universal Pictures, Columbia Pictures, Paramount Pictures, 20th Century Fox, Metro-Goldwyn-Mayer, American International Pictures and Seven Arts Productions. Certainly strong cautions will be necessary on shots of blood. Peter Cushing. This series of mystery thrillers, which all had twist endings, comprised: In addition to these were more traditional thrillers such as: Hammer had some success with films set in (or with strong connections to) the prehistoric/ancient world, including: Hammer made several war films over the years: Hammer were less well known for their comedies, but they made a number in the 1950s and early 1960s, returning to the genre in the 1970s: Hammer occasionally made science fiction movies. Hammer Horror Edit. Plans were made to shoot the film in Eastmancolor – a decision which caused worry at the BBFC. The company soon realised, however, that if they could not be as gory as the new American productions, they could follow a trend in European films of the time and instead play up the sexual content of their films. The house, virtually derelict, required substantial work, but it did not have the construction restrictions that had prevented Hammer from customising previous homes. The Resident, a thriller directed and co-written by Finnish filmmaker Antti Jokinen and starring Hilary Swank, Jeffrey Dean Morgan and Christopher Lee. length as their previous series, but it was decided to expand them to feature-length to market them as 'movies of the week' in the US. The Curse of the Mummy's Tomb supported the slightly more prestigious The Gorgon, whilst The Mummy's Shroud was a second feature for Frankenstein Created Woman. The huge box office success of The Curse of Frankenstein led to the inevitable desire for a sequel in The Revenge of Frankenstein, and an attempt to give the Hammer treatment to another horror icon. Eventually Hammer upped the graphic violence and gore with Scars of Dracula in an attempt to re-imagine the character to appeal to a younger audience, but the movie's commercial failure led to a further change of style with the following films. In the latter part of the 1970s, Hammer made fewer films, and attempts were made to break away from the then-unfashionable Gothic horror films on which the studio had built its reputation. [49], — Martin Scorsese on the heyday of the horror movie.[50]. [48] The Quiet Ones tells the story of an unorthodox professor (Jared Harris) who uses controversial methods and leads his best students off the grid to take part in a dangerous experiment: to create a poltergeist. The stories were originally to have been the same 51 min. Hammer Film Productions is celebrated for a series of Gothic horror films made in the 1950s, '60s, and '70s. (1974's Frankenstein and the Monster from Hell, for example, features a scene where the Baron treads on a discarded human brain.). [10], James Carreras joined Exclusive in 1938, closely followed by William Hinds' son, Anthony. Having escaped execution and assumed an alias, Baron Frankenstein transplants his deformed underling's brain into a perfect body, but the effectiveness of the process and the secret of his identity soon begin to unravel. The series was made in association with 20th Century Fox (who broadcast films as Fox Mystery Theater) and as such, the sex and violence seen in the earlier series was toned down considerably for US television. This fact-based cast roster includes any The Horror of Hammer actresses and all other actors from the film. “When I first started doing Hammer, all the so-called classic actors looked down on the horror film. were not prepared to back a film made by Rosenberg and Subotsky, who had just one film to their credit. "[21], Further revisions were made to the script, and a working title of Frankenstein and the Monster was chosen. Barbara Shelley's movies. Universal was not interested,[28] and the search for money eventually brought Hammer back to a.a.p. [15] Five films were produced there: Man in Black (1949), Room to Let (1949), Someone at the Door (1949), What the Butler Saw (1950), The Lady Craved Excitement (1950). It was released on 10 April 2014 in the UK and 25 April in the US. In a break from their cinema format, these self-contained episodes featured plot twists which usually saw the protagonists fall into the hands of that episode's horror at the end. Principal photography for The Mummy began on 23 February 1959 and lasted until 16 April 1959. In the late 1960s, with the release of Hollywood films like Bonnie and Clyde, Rosemary's Baby, and The Wild Bunch, the studio struggled to maintain its place in the market. BARBARA Shelley, the actress hailed as the "Queen of Hammer," has died at the age of 88. This was a practice they had making Dick Barton movies which they continued to their horror movies and other genres. The film was produced in collaboration with the Swedish company Solid Entertainment, makers of the vampire film Frostbiten, which pays homage to the Hammer vampire films among others. THE EXORCIST 4 (2004) Stellan Skarsgard - WTF Happened to the Horror Movie FATALE Clip - "I'm Val By The Way" + Trailer (2020) SOUL Featurette - "Tina Fey Tries Everything" + Trailer (2020) Although an agreement was drawn up, it is alleged that the deal was never realised and funding for Dracula eventually came from the National Film Finance Council (£33,000) and the rest from Universal in return for worldwide distribution rights. The company began shooting a new horror/thriller film in Donegal in 2008, backed by the Irish Film Board. The expansive grounds were used for much of the later location shooting in Hammer's films, and are a key to the 'Hammer look'. 1. This put the project at risk of a copyright infringement lawsuit by Universal. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. In 2010, Hammer, in partnership with Overture Films and Relativity Media, released Let Me In, a remake of Swedish vampire film Let the Right One In.[46]. In August 1949, complaints from locals about noise during night filming forced Hammer to leave Dial Close and move into another mansion, Oakley Court, also on the banks of the Thames between Windsor and Maidenhead. The series was first aired on ABC from September 26, 1968 to January 30, 1969, prior to broadcast in the UK on ITV during 1969. Did you know Christopher Lee was knighted? I am afraid we can give no assurance that we should be able to pass a film based on the present script and a revised script should be sent us for our comments, in which the overall unpleasantness should be mitigated. The actress was best-known for the Hammer Horror films as well as Doctor Who. Anton Diffring took over Cushing's role of Baron Frankenstein.[37]. A collaborative wiki about their amazing films and their incredible influence on cinema history. The project was handed to Tony Hinds, who was less impressed with the script than Michael Carreras, and whose vision for the film was a simple black-and-white 'quickie' made in three weeks. Dracula had been a successful film character for Universal in the past, and the copyright situation was more complicated than for Frankenstein. 1. Each subsequent movie in the series contains elements that do not relate to (or flatly contradict) the events of the movie that went before, whilst the characteristics of Cushing's Baron vary wildly from film to film, resulting in a series that does not progress as a self-contained narrative cycle. "[4] Since then, it has produced several films, including Let Me In (2010), The Resident (2011), The Woman in Black (2012) and The Quiet Ones (2014). During the production of Dick Barton Strikes Back (1948), it became apparent that the company could save a considerable amount of money by shooting in country houses instead of studios. [17] In 1953 the first of Hammer's science fiction films, Four Sided Triangle and Spaceways, were released. She was 88. And of course, some of the stake-work is prohibitive."[27]. [44][45] It was released in the US and UK in March 2011. During this period, two young American filmmakers, Max J. Rosenberg and Milton Subotsky, who later established Hammer's rival Amicus, submitted to a.a.p. Fortunately, Hammer Films frequently featured Peter Cushing, a powerhouse actor known for Star Wars. A dispute with the Association of Cinematograph Technicians blocked this proposal, and instead the company purchased the freehold of Down Place. [32] The academic Christopher Frayling writes, “Dracula introduced fangs, red contact lenses, décolletage, ready-prepared wooden stakes and – in the celebrated credits sequence – blood being spattered from off-screen over the Count's coffin.”[33] The film magazine Empire ranked Lee's portrayal as Dracula the 7th Greatest Horror Movie Character of All Time. 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